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VII International Fair Cubadisco 2003, devoted to Cubadisco and
Music Industry, convokes to ''The Industry
of Music in the XXI Century'' Symposium, to be held from
May 12 to 16 at Conferences Salon from Pabexpo Fairground, Havana
City.
When the human inventive was able to register, fix and multiply
the sound (a possibility that came up in the last quarter of the
19th century), nobody could imagine that we were laying the foundations
of a prodigious building that would dominates from their height
all the landscapes of a contemporary era, the one of the industries
of music
In terms of industry, music has been currently associated mainly
with records, not without reasons: the most evident discovery occurs
in that object that became familiar since it was just a simple plate
now converted in a highly sophisticated device by means of the most
amazing technological innovations.
But at present the industries of music offer us an even more complex
and comprehensive vision It is not by chance that we are talking
about industries in plural, because they are several, even though
they are interrelated in a fabric of multiple connections.
The cultural, sociological, economic and ethical implications involved
in this event are so important that the Organizing Committee of
the International Fair CUBADISCO has decided to dedicate its 2003
edition to be held in Havana from 7th to 11th may to the industries
of music.
This project is backed up on the growing impact of these industries
in the current development of the Cuban culture and their universal
projection. It's common knowledge that music, one of the most important
arts in the spectrum of the island, has enter into the new millennium
with a growing and sustained presence in the international scenario
in which not only it has been assessed both its traditional and
folkloric profiles but its contemporary expressions as well.
This is precisely one of the most serious challenges of the Cuban
industries of music: reflecting with sharpness and representativity
the talent of the creators; expanding and growing; and relating
with the international circuits of production, distribution and
consumption, without losing their identity.
Never before, the Cuban record enjoyed so much health and this
status will be stressed in CUBADISCO Fair, where new records labels
have also recently been launched. They are carrying out their own
editorial activities.
Subjects as commercializing by electronic means of the different
musical supports (e-commerce), management of rights of the copyrights
of the musical author, and the sound production by electroacústics
and digital means, as well as the production of instruments, they
are articulated in identity, technology and market tracing the map
of cuban industries of music.
What CUBADISCO 2003 is proposing
concerns the possibility of a close encounter with the most varied
facets of the industries of music aiming to promote exchange, collaboration,
knowledge and complementation, in an environment marked by the fire
of the island's music.
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